‘The Host’ Takes in Estimated $11 Million on First Weekend

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Premiere Of Open Road Films "The Host" - Red Carpet

The Host made an estimated $11,002,000 on its first weekend in release putting it in 6th place at the box office in the US.  It is behind G.I. Joe: Retaliation, The Croods, Tyler Perry’s Temptation, Olympus Has Fallen, and Oz: The Great and Powerful.

On Friday, it made $5,303,000.  On Saturday, it made $3,454,000, and on Sunday, it made $2,245,000.  It was released in 3,202 theatres nationwide.

The film was made for an estimated $40 million budget, and I heard that Open Road Films was hoping for a $14-15 million opening.  That obviously did not happen.

These numbers do not figure in any international box office results.

I don’t know what this means for a sequel.  I was surprised by how the critics widely panned the film.  As a film reviewer myself, I did not hate the film.  I can’t figure it out.  Maybe it is the Stephenie Meyer name or that critics keep comparing Andrew Niccol’s work to Gattaca.  To each his own, I guess.

If the box office numbers change, I will update this post.

Source: Box Office Mojo

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Posted on by Sarah in Movie News
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‘The Host’ Costume Designer Offers Insight into the Film’s Clothing Intricacies

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Erin Benach, the costume designer for ‘The Host’ and the catalyst for changing the Seekers to white outfits in contrast to the black worn in the novel, shared with The Hollywood Reporter and Entertainment Weekly about her journey on this film. Costuming is often a part of film-making that is overlooked, especially by fans, but I think it is great to receive some insight into the thought processes that went into these costume decisions and the level of care she offered this film.

The Resistance:

“The alien occupation had been going on for about ten years,” Benach of her initial costume conception.. “There’s a paramilitary feel  to the humans hiding in the desert. They wear muted colors and lots of textures which acts as camouflage in their environment. Most of the clothing is form-fitting to allow for quick movement The clothing helps keep them alive. They become a part of the desert they are living off in order to survive the alien take over.” – THR

“These guys are the cave dwellers, they’re basically the human resistance who found each other and this secret cave. [The look] is definitely functional, utilitarian, paramilitary,” says Benach, who used pieces from Urban Outfitters. “They must be camouflaged and become a part of the land they are living off of in order to survive. I wanted [the audience] recognize, ‘Oh yeah, those are the humans that have left over clothing.’” – EW

The Seekers:

“I pitched the idea of white costumes for the Seekers. I liked the idea that this group you assume to be evil would not be in black. I like the idea that they visually peaceful and calming. And Stephenie was very receptive to the white vs. black change,” says Benach. – THR

“We built (made) all her pants, including the motorcycle jodhpurs. She also wore a Theory white leather jacket that had a honeycomb texture.” – THR

“We went through a ton of iterations. Everybody had their opinion — our director Andrew [Niccol], Stephenie, me… we all wanted the same thing, which was for the characters to have a very strong look. it was just how [to do it]. We wanted the Seekers to look and feel like they were coming from the same place as the Souls,” she says. – EW

“We also used white because we knew it would look really good in the desert, where a lot of their scenes were shot. Sometimes you really think of environment and how it’s going to stand out. Stephenie Meyer was totally on board with it too which was cool.” – EW

The Souls:

When the alien souls occupy human bodies, the actors wear what Benach calls “a stylized hybrid look of vintage and modern.” The men wear vintage T-shirts and ties with narrow suits and slim pants from H&M, Zara and Club Monaco.” The women all look like pretty, perfect Stepford Wives in retro ‘50s silhouettes in soft pastels. – THR

“It’s a little bit Plesantville, kind of a modernized perfected ’50s look, with clean lines and [clothes that] hug the body,” Benach says of the retro-inspired ensembles worn by the Souls. ”I would pair a vintage shirt with a modern pant, or I would take a detail from vintage top and recreate it with a slightly different collar and put it with a high waist, tapered pant.” – EW

“We wanted the world to have a happy but peaceful feeling, so nothing extremely bright or aggressive would work.” – EW

Saoirse:

“Saoirse liked that Melanie’s clothes were a dirtied down version of something she might wear in her real life.  But she also loved Wanda’s hyper-realized looks vintage pieces and the sweaters we made for her with cropped pants. She was really into the contrast. “ – THR

”She has these two extremes, [but] she actually has three generations of looks: the freedom fighter look when she’s one the run is a little survivalist, her flashback look, and her Soul look.” Inspired by “deconstructed fashion and simple pieces with obscure elements,” Benach used sheer materials and softer, more airy pieces to dress the character during scenes depicting pre-invasion times, then transitioned her into clothes made of heavier, more durable materials as is forced to become stronger and braver. “The idea [for Wanda’s Soul look] was that it was this uniform. She has the exact same shirt in different colors.” – EW

Benach is currently working on another film with Ronan, Ryan Gosling’s How to Catch a Monster.

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Posted on by Johanna in Movie News
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Saoirse Ronan on Jimmy Kimmel Live

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Jimmy Kimmel had a brief sit down with Saoirse Ronan the other night to chat about Easter, the intricacies of her name and how it has been butchered, and whether she feels ‘The Host’ will reach ‘Twilight’ level fame and whether she is prepared for that. And then, of course, she shoots peeps from a fuzzy bunny cannon into the audience. 🙂

 

Source

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Posted on by Johanna in Saoirse Ronan
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Tenth Movie Clip from ‘The Host’ – I Miss Everything

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If you have not seen The Host yet or maybe you want to relive this scene, her is Max Irons (Jared Howe) and Saoirse Ronan (Melanie/Wanda) in the clip called “I Miss Everything.” This is the scene where Jared realizes that Melanie is still alive in her body (and there is some kissing also).

Source: Fandango

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Posted on by Sarah in Max Irons, Movie News, Saoirse Ronan, Video
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Our Photos from ‘The Host’ LA Premiere and After Party

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This is extremely late, but still worth the look to see all the photos we took at the LA Premiere of The Host and the after party.

Matt Glass took these great professional photos of the LA Premiere and the blue carpet.  There are photos of Shawn Carter Peterson, Stephen Rider, Jaylen Moore, Alex Russell, Andrew Niccol, Diane Kruger, Stephenie Meyer, Lee Hardee, Jake Abel, Max Irons, and Saoirse Ronan.

[oqeygallery id=20]

These are photos from our cell phones of the LA Premiere and the blue carpet.  Photos are by Sarah Ksiazek, Matt Glass, Jordan Long, and Johanna Field.  There are photos of Robert Schwartz, Shawn Carter Peterson, Evan Cleaver, Alex Russell, Sam Hargrave, Andrew Niccol, and Diane Kruger.

[oqeygallery id=21]

These are all photos from our cell phones of the after party. Photos are by Sarah Ksiazek, and Jordan Long. Photos are of the invite and Sarah and Max.  I am not big on bothering people and taking photos with stars.  I had a couple drinks in me, so there is one.

[oqeygallery id=22]

Source: The Host Movie News

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Posted on by Sarah in Andrew Niccol, Diane Kruger, Jake Abel, Lee Hardee, Max Irons, Movie News, Photos, Saoirse Ronan, Shawn Carter Peterson, Stephenie Meyer
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